' All or Nothing at All' ( Arthur Altman, Jack Lawrence) – 4:04.' The Best Is Yet to Come' ( Cy Coleman, Leigh) – 3:29.' The House I Live In' ( Lewis Allan, Earl Robinson) – 5:46.'The Lady Is a Tramp (with Reprise)' – 3:51.' Come Rain or Come Shine' (Arlen, Mercer) – 3:57.

'I've Got the World on a String' – 2:58.

' My Way' ( Paul Anka, Claude François, Jacques Revaux) – 3:42ĭisc four Recorded at the Concert for the Americas at the Altos de Chavón, La Romana, Dominican Republic, August 20, 1982:.

' Theme from New York, New York' ( Fred Ebb, John Kander) – 3:44.

' Strangers in the Night' ( Bert Kaempfert, Charles Singleton, Eddie Snyder) – 1:38.

' Try a Little Tenderness' ( Jimmy Campbell, Reg Connelly, Harry M.

Medley: ' The Gal That Got Away'/' It Never Entered My Mind' (Arlen, I.

' My Kind of Town' (Cahn, Van Heusen) – 2:58.

' Where or When' (Hart, Rodgers) – 2:12.

' The Song Is You' ( Oscar Hammerstein II, Jerome Kern) – 3:02.

' One for My Baby (And One More for the Road)' (Arlen, Mercer) – 4:46ĭisc three Recorded at the Giza pyramid complex, near Cairo, Egypt, September 27, 1979:.

' Angel Eyes' (Earl Brent, Matt Dennis) – 3:43.

' My Blue Heaven' ( Walter Donaldson, George A.

' My Funny Valentine' (Hart, Rodgers) – 3:09.

' The One I Love (Belongs to Somebody Else)' ( Isham Jones, Gus Kahn) – 3:04.

' Witchcraft' ( Cy Coleman, Leigh) – 1:50.

' Young at Heart' ( Carolyn Leigh, Johnny Richards) – 2:15.

' The Second Time Around' (Cahn, Van Heusen) – 4:37.

' Imagination' ( Johnny Burke, Van Heusen) – 2:58.

' Without a Song' ( Edward Eliscu, Billy Rose, Vincent Youmans) – 3:51.

' A Foggy Day' ( George Gershwin, Ira Gershwin) – 2:20.

' You're Nobody 'Til Somebody Loves You' (James Cavanaugh, Russ Morgan, Larry Stock) – 3:46.

'The Moon Was Yellow (And the Night Was Young)' ( Fred E.

' Day In, Day Out' ( Rube Bloom, Mercer) – 2:36.

' I'll Be Seeing You' ( Sammy Fain, Irving Kahal) – 2:20.

' In the Still of the Night' (Porter) – 3:39.

' I Concentrate on You' (Porter) – 2:16.

' I've Got the World on a String' ( Harold Arlen, Ted Koehler) – 2:13.

'Ninna Nanna' ( Domenico Modugno) – 2:51ĭisc two Recorded at Sydney Stadium, Sydney, Australia, December 2, 1961:.

' September Song' ( Maxwell Anderson, Kurt Weill) – 2:44.

Bows: '(Love Is) The Tender Trap' – 0:43.

' You Make Me Feel So Young' ( Mack Gordon, Josef Myrow) – 3:11.

Play Off: ' (Love Is) The Tender Trap' (Cahn, Van Heusen) – 0:54.

' The Lady Is a Tramp' (Hart, Rodgers) – 3:04.

' Monique' ( Elmer Bernstein, Cahn) – 3:22.

' All the Way' (Cahn, Van Heusen) – 2:52.

' When Your Lover Has Gone' ( Einar Aaron Swan) – 3:06.

' On the Road to Mandalay' ( Rudyard Kipling, Oley Speaks) – 2:36.

' Moonlight in Vermont' ( John Blackburn, Karl Suessdorf) – 2:17.

' Where or When' ( Lorenz Hart, Richard Rodgers) – 2:19.

' I've Got You Under My Skin' (Porter) – 1:53.

' I Get a Kick Out of You' ( Cole Porter) – 3:01.' Come Fly with Me' ( Sammy Cahn, Jimmy Van Heusen) – 2:45.'Play On: Clarke Street' ( Elmer Bernstein) – 0:28.Track listing Disc one Recorded at the Monte-Carlo Sporting Club, Monte Carlo, Monaco, Jtracks 18-25 originally broadcast on the RAI Radio Club on May 20, 1958: Comparing renditions of 'Bewitched' from 19 reveals a more pronounced resonance in Sinatra's delivery'. In their review of the set, Broadway World commented that 'Listening to the nearly 30-year span of performances, it's remarkable to realize how the passage of time never diminished Sinatra's way with a song if anything, it deepened his understanding of his material. Tatangelo noted the decline in Sinatra's voice by the time of the 1979 concert in Egypt, but felt that by the 1982 concert in the Dominican Republic, Sinatra sounded '.just as good, maybe even better, than he did during the 1979 set' and highlighted his performance of 'Send in the Clowns' with 'sparse, sublime accompaniment' from the guitarist Tony Mottola. Wade Tatangelo, reviewing the set for the Sarasota Herald-Tribune, described the set as 'every bit as rewarding' as Sinatra: Vegas and Sinatra: New York and wrote of the Monaco concert that '.Sinatra never sounded better in the studio or on stage than he did in the late 1950s and this concert is a perfectly-paced treasure'.

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